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- I -

ST. Agnes' Eve--Ah, bitter chill it was!

The owl, for all his feathers, was a-cold;

The hare limp'd trembling through the frozen grass,

And silent was the flock in woolly fold:

Numb were the Beadsman's fingers, while he told

His rosary, and while his frosted breath,

Like pious incense from a censer old,

Seem'd taking flight for heaven, without a death,

Past the sweet Virgin's picture, while his prayer he saith.

- II -

His prayer he saith, this patient, holy man;

Then takes his lamp, and riseth from his knees,

And back returneth, meagre, barefoot, wan,

Along the chapel aisle by slow degrees:

The sculptur'd dead, on each side, seem to freeze,

Emprison'd in black, purgatorial rails:

Knights, ladies, praying in dumb orat'ries,

He passeth by; and his weak spirit fails

To think how they may ache in icy hoods and mails.

- III -

Northward he turneth through a little door,

And scarce three steps, ere Music's golden tongue

Flatter'd to tears this aged man and poor;

But no--already had his deathbell rung;

The joys of all his life were said and sung:

His was harsh penance on St. Agnes' Eve:

Another way he went, and soon among

Rough ashes sat he for his soul's reprieve,

And all night kept awake, for sinners' sake to grieve.

- IV -

That ancient Beadsman heard the prelude soft;

And so it chanc'd, for many a door was wide,

From hurry to and fro. Soon, up aloft,

The silver, snarling trumpets 'gan to chide:

The level chambers, ready with their pride,

Were glowing to receive a thousand guests:

The carved angels, ever eager-eyed,

Star'd, where upon their heads the cornice rests,

With hair blown back, and wings put cross-wise on their breasts.

- V -

At length burst in the argent revelry,

With plume, tiara, and all rich array,

Numerous as shadows haunting fairily

The brain, new stuff d, in youth, with triumphs gay

Of old romance. These let us wish away,

And turn, sole-thoughted, to one Lady there,

Whose heart had brooded, all that wintry day,

On love, and wing'd St. Agnes' saintly care,

As she had heard old dames full many times declare.

- VI -

They told her how, upon St. Agnes' Eve,

Young virgins might have visions of delight,

And soft adorings from their loves receive

Upon the honey'd middle of the night,

If ceremonies due they did aright;

As, supperless to bed they must retire,

And couch supine their beauties, lily white;

Nor look behind, nor sideways, but require

Of Heaven with upward eyes for all that they desire.

- VII -

Full of this whim was thoughtful Madeline:

The music, yearning like a God in pain,

She scarcely heard: her maiden eyes divine,

Fix'd on the floor, saw many a sweeping train

Pass by--she heeded not at all: in vain

Came many a tiptoe, amorous cavalier,

And back retir'd; not cool'd by high disdain,

But she saw not: her heart was otherwhere:

She sigh'd for Agnes' dreams, the sweetest of the year.

- VIII -

She danc'd along with vague, regardless eyes,

Anxious her lips, her breathing quick and short:

The hallow'd hour was near at hand: she sighs

Amid the timbrels, and the throng'd resort

Of whisperers in anger, or in sport;

'Mid looks of love, defiance, hate, and scorn,

Hoodwink'd with faery fancy; all amort,

Save to St. Agnes and her lambs unshorn,

And all the bliss to be before to-morrow morn.

- IX -

So, purposing each moment to retire,

She linger'd still. Meantime, across the moors,

Had come young Porphyro, with heart on fire

For Madeline. Beside the portal doors,

Buttress'd from moonlight, stands he, and implores

All saints to give him sight of Madeline,

But for one moment in the tedious hours,

That he might gaze and worship all unseen;

Perchance speak, kneel, touch, kiss--in sooth such things have been.

- X -

He ventures in: let no buzz'd whisper tell:

All eyes be muffled, or a hundred swords

Will storm his heart, Love's fev'rous citadel:

For him, those chambers held barbarian hordes,

Hyena foemen, and hot-blooded lords,

Whose very dogs would execrations howl

Against his lineage: not one breast affords

Him any mercy, in that mansion foul,

Save one old beldame, weak in body and in soul.

- XI -

Ah, happy chance! the aged creature came,

Shuffling along with ivory-headed wand,

To where he stood, hid from the torch's flame,

Behind a broad hail-pillar, far beyond

The sound of merriment and chorus bland:

He startled her; but soon she knew his face,

And grasp'd his fingers in her palsied hand,

Saying, "Mercy, Porphyro! hie thee from this place;

"They are all here to-night, the whole blood-thirsty race!

- XII -

"Get hence! get hence! there's dwarfish Hildebrand;

"He had a fever late, and in the fit

"He cursed thee and thine, both house and land:

"Then there 's that old Lord Maurice, not a whit

"More tame for his gray hairs--Alas me! flit!

"Flit like a ghost away."--"Ah, Gossip dear,

"We're safe enough; here in this arm-chair sit,

"And tell me how"--"Good Saints! not here, not here;

"Follow me, child, or else these stones will be thy bier."

- XIII -

He follow'd through a lowly arched way,

Brushing the cobwebs with his lofty plume;

And as she mutter'd "Well-a--well-a-day!"

He found him in a little moonlight room,

Pale, lattic'd, chill, and silent as a tomb.

"Now tell me where is Madeline," said he,

"O tell me, Angela, by the holy loom

"Which none but secret sisterhood may see,

"When they St. Agnes' wool are weaving piously."

- XIV -

"St. Agnes! Ah! it is St. Agnes' Eve--

"Yet men will murder upon holy days:

"Thou must hold water in a witch's sieve,

"And be liege-lord of all the Elves and Fays,

"To venture so: it fills me with amaze

"To see thee, Porphyro!--St. Agnes' Eve!

"God's help! my lady fair the conjuror plays

"This very night: good angels her deceive!

"But let me laugh awhile, I've mickle time to grieve."

- XV -

Feebly she laugheth in the languid moon,

While Porphyro upon her face doth look,

Like puzzled urchin on an aged crone

Who keepeth clos'd a wond'rous riddle-book,

As spectacled she sits in chimney nook.

But soon his eyes grew brilliant, when she told

His lady's purpose; and he scarce could brook

Tears, at the thought of those enchantments cold,

And Madeline asleep in lap of legends old.

- XVI -

Sudden a thought came like a full-blown rose,

Flushing his brow, and in his pained heart

Made purple riot: then doth he propose

A stratagem, that makes the beldame start:

"A cruel man and impious thou art:

"Sweet lady, let her pray, and sleep, and dream

"Alone with her good angels, far apart

"From wicked men like thee. Go, go!--I deem

"Thou canst not surely be the same that thou didst seem.

- XVII -

"I will not harm her, by all saints I swear,"

Quoth Porphyro: "O may I ne'er find grace

"When my weak voice shall whisper its last prayer,

"If one of her soft ringlets I displace,

"Or look with ruffian passion in her face:

"Good Angela, believe me by these tears;

"Or I will, even in a moment's space,

"Awake, with horrid shout, my foemen's ears,

"And beard them, though they be more fang'd than wolves and bears."

- XVIII -

"Ah! why wilt thou affright a feeble soul?

"A poor, weak, palsy-stricken, churchyard thing,

"Whose passing-bell may ere the midnight toll;

"Whose prayers for thee, each morn and evening,

"Were never miss'd."--Thus plaining, doth she bring

A gentler speech from burning Porphyro;

So woful, and of such deep sorrowing,

That Angela gives promise she will do

Whatever he shall wish, betide her weal or woe.

- XIX -

Which was, to lead him, in close secrecy,

Even to Madeline's chamber, and there hide

Him in a closet, of such privacy

That he might see her beauty unespied,

And win perhaps that night a peerless bride,

While legion'd fairies pac'd the coverlet,

And pale enchantment held her sleepy-eyed.

Never on such a night have lovers met,

Since Merlin paid his Demon all the monstrous debt.

- XX -

"It shall be as thou wishest," said the Dame:

"All cates and dainties shall be stored there

"Quickly on this feast-night: by the tambour frame

"Her own lute thou wilt see: no time to spare,

"For I am slow and feeble, and scarce dare

"On such a catering trust my dizzy head.

"Wait here, my child, with patience; kneel in prayer

"The while: Ah! thou must needs the lady wed,

"Or may I never leave my grave among the dead."

- XXI -

So saying, she hobbled off with busy fear.

The lover's endless minutes slowly pass'd;

The dame return'd, and whisper'd in his ear

To follow her; with aged eyes aghast

From fright of dim espial. Safe at last,

Through many a dusky gallery, they gain

The maiden's chamber, silken, hush'd, and chaste;

Where Porphyro took covert, pleas'd amain.

His poor guide hurried back with agues in her brain.

- XXII -

Her falt'ring hand upon the balustrade,

Old Angela was feeling for the stair,

When Madeline, St. Agnes' charmed maid,

Rose, like a mission'd spirit, unaware:

With silver taper's light, and pious care,

She turn'd, and down the aged gossip led

To a safe level matting. Now prepare,

Young Porphyro, for gazing on that bed;

She comes, she comes again, like ring-dove fray'd and fled.

- XXIII -

Out went the taper as she hurried in;

Its little smoke, in pallid moonshine, died:

She clos'd the door, she panted, all akin

To spirits of the air, and visions wide:

No uttered syllable, or, woe betide!

But to her heart, her heart was voluble,

Paining with eloquence her balmy side;

As though a tongueless nightingale should swell

Her throat in vain, and die, heart-stifled, in her dell.

- XXIV -

A casement high and triple-arch'd there was,

All garlanded with carven imag'ries

Of fruits, and flowers, and bunches of knot-grass,

And diamonded with panes of quaint device,

Innumerable of stains and splendid dyes,

As are the tiger-moth's deep-damask'd wings;

And in the midst, 'mong thousand heraldries,

And twilight saints, and dim emblazonings,

A shielded scutcheon blush'd with blood of queens and kings.

- XXV -

Full on this casement shone the wintry moon,

And threw warm gules on Madeline's fair breast,

As down she knelt for heaven's grace and boon;

Rose-bloom fell on her hands, together prest,

And on her silver cross soft amethyst,

And on her hair a glory, like a saint:

She seem'd a splendid angel, newly drest,

Save wings, for heaven:--Porphyro grew faint:

She knelt, so pure a thing, so free from mortal taint.

- XXVI -

Anon his heart revives: her vespers done,

Of all its wreathed pearls her hair she frees;

Unclasps her warmed jewels one by one;

Loosens her fragrant boddice; by degrees

Her rich attire creeps rustling to her knees:

Half-hidden, like a mermaid in sea-weed,

Pensive awhile she dreams awake, and sees,

In fancy, fair St. Agnes in her bed,

But dares not look behind, or all the charm is fled.

- XXVII -

Soon, trembling in her soft and chilly nest,

In sort of wakeful swoon, perplex'd she lay,

Until the poppied warmth of sleep oppress'd

Her soothed limbs, and soul fatigued away;

Flown, like a thought, until the morrow-day;

Blissfully haven'd both from joy and pain;

Clasp'd like a missal where swart Paynims pray;

Blinded alike from sunshine and from rain,

As though a rose should shut, and be a bud again.

- XXVIII -

Stol'n to this paradise, and so entranced,

Porphyro gazed upon her empty dress,

And listen'd to her breathing, if it chanced

To wake into a slumberous tenderness;

Which when he heard, that minute did he bless,

And breath'd himself: then from the closet crept,

Noiseless as fear in a wide wilderness,

And over the hush'd carpet, silent, stept,

And 'tween the curtains peep'd, where, lo!--how fast she slept.

- XXIX -

Then by the bed-side, where the faded moon

Made a dim, silver twilight, soft he set

A table, and, half anguish'd, threw thereon

A cloth of woven crimson, gold, and jet:--

O for some drowsy Morphean amulet!

The boisterous, midnight, festive clarion,

The kettle-drum, and far-heard clarionet,

Affray his ears, though but in dying tone:--

The hall door shuts again, and all the noise is gone.

- XXX -

And still she slept an azure-lidded sleep,

In blanched linen, smooth, and lavender'd,

While he from forth the closet brought a heap

Of candied apple, quince, and plum, and gourd;

With jellies soother than the creamy curd,

And lucent syrops, tinct with cinnamon;

Manna and dates, in argosy transferr'd

From Fez; and spiced dainties, every one,

From silken Samarcand to cedar'd Lebanon.

- XXXI -

These delicates he heap'd with glowing hand

On golden dishes and in baskets bright

Of wreathed silver: sumptuous they stand

In the retired quiet of the night,

Filling the chilly room with perfume light.--

"And now, my love, my seraph fair, awake!

"Thou art my heaven, and I thine eremite:

"Open thine eyes, for meek St. Agnes' sake,

"Or I shall drowse beside thee, so my soul doth ache."

- XXXII -

Thus whispering, his warm, unnerved arm

Sank in her pillow. Shaded was her dream

By the dusk curtains:--'twas a midnight charm

Impossible to melt as iced stream:

The lustrous salvers in the moonlight gleam;

Broad golden fringe upon the carpet lies:

It seem'd he never, never could redeem

From such a stedfast spell his lady's eyes;

So mus'd awhile, entoil'd in woofed phantasies.

- XXXIII -

Awakening up, he took her hollow lute,--

Tumultuous,--and, in chords that tenderest be,

He play'd an ancient ditty, long since mute,

In Provence call'd, "La belle dame sans mercy:"

Close to her ear touching the melody;--

Wherewith disturb'd, she utter'd a soft moan:

He ceased--she panted quick--and suddenly

Her blue affrayed eyes wide open shone:

Upon his knees he sank, pale as smooth-sculptured stone.

- XXXIV -

Her eyes were open, but she still beheld,

Now wide awake, the vision of her sleep:

There was a painful change, that nigh expell'd

The blisses of her dream so pure and deep

At which fair Madeline began to weep,

And moan forth witless words with many a sigh;

While still her gaze on Porphyro would keep;

Who knelt, with joined hands and piteous eye,

Fearing to move or speak, she look'd so dreamingly.

- XXXV -

"Ah, Porphyro!" said she, "but even now

"Thy voice was at sweet tremble in mine ear,

"Made tuneable with every sweetest vow;

"And those sad eyes were spiritual and clear:

"How chang'd thou art! how pallid, chill, and drear!

"Give me that voice again, my Porphyro,

"Those looks immortal, those complainings dear!

"Oh leave me not in this eternal woe,

"For if thou diest, my Love, I know not where to go."

- XXXVI -

Beyond a mortal man impassion'd far

At these voluptuous accents, he arose,

Ethereal, flush'd, and like a throbbing star

Seen mid the sapphire heaven's deep repose;

Into her dream he melted, as the rose

Blendeth its odour with the violet,--

Solution sweet: meantime the frost-wind blows

Like Love's alarum pattering the sharp sleet

Against the window-panes; St. Agnes' moon hath set.

- XXXVII -

'Tis dark: quick pattereth the flaw-blown sleet:

"This is no dream, my bride, my Madeline!"

'Tis dark: the iced gusts still rave and beat:

"No dream, alas! alas! and woe is mine!

"Porphyro will leave me here to fade and pine.--

"Cruel! what traitor could thee hither bring?

"I curse not, for my heart is lost in thine,

"Though thou forsakest a deceived thing;--

"A dove forlorn and lost with sick unpruned wing."

- XXXVIII -

"My Madeline! sweet dreamer! lovely bride!

"Say, may I be for aye thy vassal blest?

"Thy beauty's shield, heart-shap'd and vermeil dyed?

"Ah, silver shrine, here will I take my rest

"After so many hours of toil and quest,

"A famish'd pilgrim,--saved by miracle.

"Though I have found, I will not rob thy nest

"Saving of thy sweet self; if thou think'st well

"To trust, fair Madeline, to no rude infidel."

- XXXIX -

'Hark! 'tis an elfin-storm from faery land,

"Of haggard seeming, but a boon indeed:

"Arise--arise! the morning is at hand;--

"The bloated wassaillers will never heed:--

"Let us away, my love, with happy speed;

"There are no ears to hear, or eyes to see,--

"Drown'd all in Rhenish and the sleepy mead:

"Awake! arise! my love, and fearless be,

"For o'er the southern moors I have a home for thee."

- XL -

She hurried at his words, beset with fears,

For there were sleeping dragons all around,

At glaring watch, perhaps, with ready spears--

Down the wide stairs a darkling way they found.--

In all the house was heard no human sound.

A chain-droop'd lamp was flickering by each door;

The arras, rich with horseman, hawk, and hound,

Flutter'd in the besieging wind's uproar;

And the long carpets rose along the gusty floor.

- XLI -

They glide, like phantoms, into the wide hall;

Like phantoms, to the iron porch, they glide;

Where lay the Porter, in uneasy sprawl,

With a huge empty flaggon by his side;

The wakeful bloodhound rose, and shook his hide,

But his sagacious eye an inmate owns:

By one, and one, the bolts full easy slide:--

The chains lie silent on the footworn stones;--

The key turns, and the door upon its hinges groan.

- XLII -

And they are gone: ay, ages long ago

These lovers fled away into the storm.

That night the Baron dreamt of many a woe,

And all his warrior-guests, with shade and form

Of witch, and demon, and large coffin-worm,

Were long be-nightmar'd. Angela the old

Died palsy-twitch'd, with meagre face deform;

The Beadsman, after thousand aves told,

For aye unsought for slept among his ashes cold.

John Keats

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THE wind was a torrent of darkness upon the gusty trees,

The moon was a ghostly galleon tossed upon cloudy seas,

The road was a ribbon of moonlight looping the purple moor,

And the highwayman came riding--

Riding--riding--

The highwayman came riding, up to the old inn door.

He'd a French cocked hat on his forehead, and a bunch of lace at his chin;

He'd a coat of the claret velvet, and breeches of fine doe-skin.

They fitted with never a wrinkle; his boots were up to his thigh!

And he rode with a jeweled twinkle--

His rapier hilt a-twinkle--

His pistol butts a-twinkle, under the jeweled sky.

Over the cobbles he clattered and clashed in the dark inn-yard,

He tapped with his whip on the shutters, but all was locked and barred,

He whistled a tune to the window, and who should be waiting there

But the landlord's black-eyed daughter--

Bess, the landlord's daughter--

Plaiting a dark red love-knot into her long black hair.

Dark in the dark old inn-yard a stable-wicket creaked

Where Tim, the ostler listened--his face was white and peaked--

His eyes were hollows of madness, his hair like mouldy hay,

But he loved the landlord's daughter--

The landlord's black-eyed daughter;

Dumb as a dog he listened, and he heard the robber say:

"One kiss, my bonny sweetheart; I'm after a prize tonight,

But I shall be back with the yellow gold before the morning light.

Yet if they press me sharply, and harry me through the day,

Then look for me by moonlight,

Watch for me by moonlight,

I'll come to thee by moonlight, though hell should bar the way."

He stood upright in the stirrups; he scarce could reach her hand,

But she loosened her hair in the casement! His face burnt like a brand

As the sweet black waves of perfume came tumbling o'er his breast,

Then he kissed its waves in the moonlight

(O sweet black waves in the moonlight!),

And he tugged at his reins in the moonlight, and galloped away to the west.

He did not come in the dawning; he did not come at noon.

And out of the tawny sunset, before the rise of the moon,

When the road was a gypsy's ribbon over the purple moor,

The redcoat troops came marching--

Marching--marching--

King George's men came marching, up to the old inn-door.

They said no word to the landlord; they drank his ale instead,

But they gagged his daughter and bound her to the foot of her narrow bed.

Two of them knelt at her casement, with muskets by their side;

There was Death at every window,

And Hell at one dark window,

For Bess could see, through her casement, the road that he would ride.

They had bound her up at attention, with many a sniggering jest!

They had tied a rifle beside her, with the barrel beneath her breast!

"Now keep good watch!" and they kissed her. She heard the dead man say,

"Look for me by moonlight,

Watch for me by moonlight,

I'll come to thee by moonlight, though Hell should bar the way."

She twisted her hands behind her, but all the knots held good!

She writhed her hands till her fingers were wet with sweat or blood!

They stretched and strained in the darkness, and the hours crawled by like years,

Till, on the stroke of midnight,

Cold on the stroke of midnight,

The tip of one finger touched it! The trigger at least was hers!

The tip of one finger touched it, she strove no more for the rest;

Up, she stood up at attention, with the barrel beneath her breast.

She would not risk their hearing, she would not strive again,

For the road lay bare in the moonlight,

Blank and bare in the moonlight,

And the blood in her veins, in the moonlight, throbbed to her love's refrain.

Tlot tlot, tlot tlot! Had they heard it? The horse-hooves, ringing clear;

Tlot tlot, tlot tlot, in the distance! Were they deaf that they did not hear?

Down the ribbon of moonlight, over the brow of the hill,

The highwayman came riding--

Riding--riding--

The redcoats looked to their priming! She stood up straight and still.

Tlot tlot, in the frosty silence! Tlot tlot, in the echoing night!

Nearer he came and nearer! Her face was like a light!

Her eyes grew wide for a moment, she drew one last deep breath,

Then her finger moved in the moonlight--

Her musket shattered the moonlight--

Shattered her breast in the moonlight and warned him--with her death.

He turned, he spurred to the West; he did not know who stood

Bowed, with her head o'er the casement, drenched in her own red blood!

Not till the dawn did he hear it, and his face grew grey to hear

How Bess, the landlord's daughter,

The landlord's black-eyed daughter,

Had watched for her love in the moonlight, and died in the darkness there.

Back, he spurred like a madman, shrieking a curse to the sky,

With the white road smoking behind him and his rapier brandished high!

Blood-red were his spurs in the golden noon, wine-red was his velvet coat

When they shot him down in the highway,

Down like a dog in the highway,

And he lay in his blood in the highway, with the bunch of lace at his throat.

And still on a winter's night, they say, when the wind is in the trees,

When the moon is a ghostly galleon tossed upon cloudy seas,

When the road is a gypsy's ribbon looping the purple moor,

The highwayman comes riding--

Riding--riding--

The highwayman comes riding, up to the old inn-door.

Over the cobbles he clatters and clangs in the dark inn-yard,

He taps with his whip on the shutters, but all is locked and barred,

He whistles a tune to the window, and who should be waiting there

But the landlord's black-eyed daughter--

Bess, the landlord's daughter--

Plaiting a dark red love-knot into her long black hair.

Alfred Noyes

 The Barrel-organ

THERE'S a barrel-organ carolling across a golden street

In the City as the sun sinks low;

And the music's not immortal; but the world has made it sweet

And fulfilled it with the sunset glow;

And it pulses through the pleasures of the City and the pain

That surround the singing organ like a large eternal light;

And they've given it a glory and a part to play again

In the Symphony that rules the day and night.

And now it's marching onward through the realms of old romance,

And trolling out a fond familiar tune,

And now it's roaring cannon down to fight the King of France,

And now it's prattling softly to the moon,

And all around the organ there's a sea without a shore

Of human joys and wonders and regrets;

To remember and to recompense the music evermore

For what the cold machinery forgets . . .

Yes; as the music changes,

Like a prismatic glass,

It takes the light and ranges

Through all the moods that pass;

Dissects the common carnival

Of passions and regrets,

And gives the world a glimpse of all

The colours it forgets.

And there La Traviata sighs

Another sadder song;

And there Il Trovatore cries

A tale of deeper wrong;

And bolder knights to battle go

With sword and shield and lance,

Than ever here on earth below

Have whirled into -- a dance! --

Go down to Kew in lilac-time, in lilac-time, in lilac-time;

Go down to Kew in lilac-time (it isn't far from London!)

And you shall wander hand in hand with love in summer's wonderland;

Go down to Kew in lilac-time (it isn't far from London!)

The cherry-trees are seas of bloom and soft perfume and sweet perfume,

The cherry-trees are seas of bloom (and oh, so near to London!)

And there they say, when dawn is high and all the world's a blaze of sky

The cuckoo, though he's very shy, will sing a song for London.

The Dorian nightingale is rare and yet they say you'll hear him there

At Kew, at Kew in lilac-time (and oh, so near to London)!

The linnet and the throstle, too, and after dark the long haloo

And golden-eyed tu-whit, tu-whoo of owls that ogle London.

For Noah hardly knew a bird of any kind that isn't heard

At Kew, at Kew in lilac-time (and oh, so near to London!)

And when the rose begins to pout and all the chestnut spires are out

You'll hear the rest without a doubt, all chorussing for London: --

Come down to Kew in lilac-time, in lilac-time, in lilac-time;

Come down to Kew in lilac-time (it isn't far from London!)

And you shall wander hand in hand with love in summer's wonderland;

Come down to Kew in lilac-time (it isn't far from London!)

And then the troubadour begins to thrill the golden street,

In the City as the sun sinks low;

And in all the gaudy busses there are scores of weary feet

Marking time, sweet time, with a dull mechanic beat,

And a thousand hearts are plunging to a love they'll never meet,

Through the meadows of the sunset, through the poppies and the wheat,

In the land where the dead dreams go.

Verdi, Verdi, when you wrote Il Trovatore did you dream

Of the City when the sun sinks low,

Of the organ and the monkey and the many-coloured stream

On the Piccadilly pavement, of the myriad eyes that seem

To be litten for a moment with a wild Italian gleam

As A che la morte parodies the world's eternal theme

And pulses with the sunset-glow.

There's a thief, perhaps, that listens with a face of frozen stone

In the City as the sun sinks low;

There's a portly man of business with a balance of his own,

There's a clerk and there's a butcher of a soft reposeful tone.

And they're all of them returning to the heavens they have known:

They are crammed and jammed in busses and -- they're each of them alone

In the land where the dead dreams go.

There's a very modish woman and her smile is very bland

In the City as the sun sinks low;

And her hansom jingles onward, but her little jewelled hand

Is clenched a little tighter and she cannot understand

What she wants or why she wanders to that undiscovered land,

For the parties there are not at all the sort of thing she planned,

In the land where the dead dreams go.

There's a rowing man that listens and his heart is crying out

In the City as the sun sinks low;

For the barge, the eight, the Isis, and the coach's whoop and shout,

For the minute-gun, the counting and the long dishevelled rout,

For the howl along the tow-path, and a fate that's still in doubt,

For a roughened oar to handle and a race to think about

In the land where the dead dreams go.

There's a labourer that listens to the voices of the dead

In the City as the sun sinks low;

And his hand begins to tremble and his face to smoulder red

As he sees a loafer watching him and -- there he turns his head

And stares into the sunset where his April love is fled,

For he hears her softly singing and his lonely soul is led

Through the land where the dead dreams go.

There's a barrel-organ carolling across a golden street

In the City as the sun sinks low;

Though the music's only Verdi there's a world to make it sweet

Just as yonder yellow sunset where the earth and heaven meet

Mellows all the sooty City! Hark, a hundred thousand feet

Are marching on to glory through the poppies and the wheat

In the land where the dead dreams go.

So it's Jeremiah, Jeremiah,

What have you to say

When you meet the garland girls

Tripping on their way?

All around my gala hat

I wear a wreath of roses

(A long and lonely year it is

I've waited for the May!)

If any one should ask you,

The reason wny I wear it is --

My own love, my true love

I coming home to-day.

And it's buy a bunch of violets for the lady

(It's lilac-time in London, it's lilac-time in London!)

Buy a bunch of violets for the lady

While the sky burns blue above!

On the other side the street you'll find it shady

It's lilac-time in London; it's lilac-time in London!)

But buy a bunch of violets for the lady,

And tell her she's your own true love.

There's a barrel-organ carolling across a golden street

In the City as the sun sinks glittering and slow;

And the music's not immortal; but the world has made it sweet

And enriched it with the harmonies that make a song complete

In the deeper heavens of music where the night and morning meet,

As it dies into the sunset-glow;

And it pulses through the pleasures of the City and the pain

That surround the singing organ like a large eternal light,

And they've given it a glory and a part ot play again

In the Symphony that rules the day and night.

And there, as the music changes,

The song runs round again.

Once more it turns and ranges

Through all its joy and pain,

Dissects the common carnival

Of passions and regrets;

And the wheeling world remembers all

The wheeling song forgets.

Once more La Traviata sighs

Another sadder song:

Once more Il Trovatore cries

A tale of deeper wrong;

Once more the knights to battle go

With sword and shield and lance

Till once, once more, the shattered foe

Has whirled into -- a dance!

Come down to Kew in lilac-time, in lilac-time, in lilac-time;

Come down to Kew in lilac-time (it isn't far from London!)

And you shall wander hand in hand with love in summer's wonderland;

Come down to Kew in lilac-time (it isn't far from London!)

Alfred Noyes